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«Коварство и любовь» на английском языке

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DRAMATIS PERSONAE1
ACT I1
SCENE I1
MILLER — MRS. MILLER1
SCENE II5
Enter SECRETARY WORM5
SCENE III10
Enter LOUISA with a book in her hand10
SCENE IV14
LOUISA — FERDINAND14
(He flies towards her — she falls back into her chair, pale and trembling. He remains standing before her — they look at each other for some moments in silence. A pause.)14
SCENE V17
A Chamber in the PRESIDENT.'S House17
The PRESIDENT, with the grand order of the cross about his neck, and a star at his breast — SECRETARY WORM17
SCENE VI22
MARSHAL KALB, in a rich but tasteless court-dress, with Chamberlain's keys, two watches, sword, three-cornered hat, and hair dressed a la Herisson. He bustles up to the PRESIDENT, and diffuses a strong scent of musk through the whole theatre — PRESIDENT22
SCENE VII24
PRESIDENT — FERDINAND24
ACT II32
SCENE I32
— A room in LADY MILFORD'S house. On the right of the stage stands a sofa, on the left a pianoforte32
LADY MILFORD, in a loose but elegant negligee, is running her hand over the keys of the pianoforte as SOPHY advances from the window32
SCENE II37
— An old valet of the DUKE'S, with a casket of jewels. The former37
SCENE III42
— FERDINAND VON WALTER. The former42
SCENE IV54
— Miller's House54
MILLER meeting LOUISA and MRS. MILLER54
SCENE V57
MILLER, MRS. MILLER, LOUISA, FERDINAND57
SCENE VI62
MILLER, MRS. MILLER, LOUISA, FERDINAND, PRESIDENT, with SERVANTS62
SCENE VII67
Officers of Justice — the former67
ACT III70
SCENE I70
Room at the President's. Enter PRESIDENT and WORM70
SCENE II78
The PRESIDENT — MARSHALL KALB78
SCENE III85
The PRESIDENT and WORM85
SCENE IV86
— Room in MILLER'S House86
LOUISA and FERDINAND86
SCENE V90
SCENE VI91
LOUISA and WORM91
ACT IV102
SCENE I102
Saloon in the PRESIDENT'S House102
FERDINAND VON WALTER enters in great excitement with an open letter in his hand, and is met by a SERVANT102
SCENE II103
SCENE III105
FERDINAND, the MARSHAL105
SCENE IV110
SCENE V111
FERDINAND, the PRESIDENT111
SCENE VI114
— A magnificent Saloon in LADY MILFORD'S House114
Enter LADY MILFORD and SOPHIA114
LADY MILFORD, SOPHIA, a SERVANT116
SCENE VII117
LADY MILFORD, LOUISA117
LOUISA enters timidly, and remains standing at a great distance from LADY MILFORD, who has turned her back towards her, and for some time watches her attentively in the opposite looking-glass. After a pause117
SCENE VIII126
LADY MILFORD alone, in extreme agitation, gazing on the door by which LOUISA left. At length she recovers from her stupor126
SCENE IX127
LADY MILFORD, an ATTENDANT, SOPHIA, afterwards the MARSHAL,127
and then SERVANTS127
ACT V132
SCENE I132
— Twilight; a room in MILLER'S house132
LOUISA sits silent and motionless in a dark corner of the room, her head reclining upon her hand. After a long pause, MILLER enters with a lantern, the light of which he casts anxiously round the chamber, without observing LOUISA, he then puts his hat on the table, and sets down the lantern132
LOUISA, MILLER132
SCENE II140
The former; FERDINAND140
SCENE III146
FERDINAND and MILLER146
They both pace up and down without speaking, on opposite sides of the room, for some minutes146
SCENE IV148
FERDINAND alone148
SCENE V149
MILLER returning, and FERDINAND149
SCENE VI154
SCENE VII156
FERDINAND and LOUISA156
LOUISA re-enters slowly with the light, places it on the table, and stops on the opposite side of the room, her eyes fixed on the ground, except when she raises them to him with timid, stolen glances. He stands opposite, looking steadfastly on the earth — a long and deep silence156
SCENE VIII166
FERDINAND, the PRESIDENT, WORM, and SERVANTS, who all rush in alarm166
into the room. Afterwards MILLER, with a crowd, and OFFICERS of justice, who assemble in the background166

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Love And Intrigue: читать книгу на английском

DRAMATIS PERSONAE.

PRESIDENT VON WALTER, Prime Minister in the Court of a German Prince.
FERDINAND, his son; a Major in the Army; in love with Louisa Miller.
BARON VON KALB, Court Marshal (or Chamberlain).
WORM, Private Secretary to the President.
MILLER, the Town Musician, and Teacher of Music.
MRS. MILLER, his wife.
LOUISA, the daughter of Miller, in love with Ferdinand.
LADY MILFORD, the Prince's Mistress.
SOPHY, attendant on Lady Milford.
An old Valet in the service of the Prince.
Officers, Attendants, etc.

ACT I.

SCENE I.

MILLER — MRS. MILLER.

MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk — my house lose its character — the president will get wind of it, and — the short and long of the matter is, I'll show the younker the door.
MRS MILLER. You did not entice him to your house — did not thrust your daughter upon him!
MILLER. Didn't entice him to my house — didn't thrust the girl upon him! Who'll believe me? I was master of my own house. I ought to have taken more care of my daughter. I should have bundled the major out at once, or have gone straight to his excellency, his papa, and disclosed all. The young baron will get off merely with a snubbing, I know that well enough, and all the blame will fall upon the fiddler.
MRS MILLER (sipping her coffee). Pooh! nonsense! How can it fall upon you? What have people to do with you? You follow your profession, and pick up pupils wherever you can find them.
MILLER. All very fine, but please to tell me what will be the upshot of the whole affair? He can't marry the girl — marriage is out of the question, and to make her his — God help us! "Good-by t'ye!" No, no — when such a sprig of nobility has been nibbling here and there and everywhere, and has glutted himself with the devil knows what all, of course it will be a relish to my young gentleman to get a mouthful of sweet water. Take heed! Take heed! If you were dotted with eyes, and could place a sentinel for every hair of your head, he'll bamboozle her under your very nose; add one to her reckoning, take himself off, and the girl's ruined for life, left in the lurch, or, having once tasted the trade, will carry it on. (Striking his forehead.) Oh, horrible thought!
MRS MILLER. God in his mercy protect us!
MILLER. We shall want his protection. You may well say that. What other object can such a scapegrace have? The girl is handsome — well made — can show a pretty foot. How the upper story is furnished matters little. That's blinked in you women if nature has not played the niggard in other respects. Let this harum-scarum but turn over this chapter — ho! ho! his eyes will glisten like Rodney's when he got scent of a French frigate; then up with all sail and at her, and I don't blame him for it — flesh is flesh. I know that very well.
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