«The Remarkable Case of Davidson's Eyes» en inglés

it is a moot point whether burglary is to be considered as a sport, a trade, or an art. For a trade, the technique is scarcely rigid enough, and its claims to be considered an art are vitiated by the mercenary element that qualifies its triumphs. On the whole it seems to be most justly ranked as sport, a sport for which no rules are at present formulated, and of which the prizes are distributed in an extremely informal manner. It was this informality of burglary that led to the regrettable extinction of two promising beginners at Hammerpond Park.

The stakes offered in this affair consisted chiefly of diamonds and other personal bric-à-brac belonging to the newly married Lady Aveling. Lady Aveling, as the reader will remember, was the only daughter of Mrs Montague Pangs, the well-known hostess. Her marriage to Lord Aveling was extensively advertised in the papers, the quantity and quality of her wedding presents, and the fact that the honeymoon was to be spent at Hammerpond. The announcement of these valuable prizes created a considerable sensation in the small circle in which Mr Teddy Watkins was the undisputed leader, and it was decided that, accompanied by a duly qualified assistant, he should visit the village of Hammerpond in his professional capacity.

Being a man of naturally retiring and modest disposition, Mr Watkins determined to make this visit incog., and after due consideration of the conditions of his enterprise, he selected the rôle of a landscape artist and the unassuming surname of Smith. He preceded his assistant, who, it was decided, should join him only on the last afternoon of his stay at Hammerpond. Now the village of Hammerpond is perhaps one of the prettiest little corners in Sussex; many thatched houses still survive, the flint-built church with its tall spire nestling under the down is one of the finest and least restored in the county, and the beech-woods and bracken jungles through which the road runs to the great house are singularly rich in what the vulgar artist and photographer call "bits." So that Mr Watkins, on his arrival with two virgin canvases, a brand-new easel, a paint-box, portmanteau, an ingenious little ladder made in sections (after the pattern of the late lamented master Charles Peace), crowbar, and wire coils, found himself welcomed with effusion and some curiosity by half-a-dozen other brethren of the brush. It rendered the disguise he had chosen unexpectedly plausible, but it inflicted upon him a considerable amount of æsthetic conversation for which he was very imperfectly prepared.